top of page
Search

REVIEW: Fiddler on the Roof

  • opera787
  • Dec 10
  • 3 min read
 © Marc Brenner
© Marc Brenner

One of the world’s most melodious musicals, which tackles topics that still linger in the current era, arrives in Birmingham for the festive season.

 

Fiddler on the Roof is now playing at The Alexandra Theatre.

 

This powerhouse of a musical premiered on Broadway way back in 1964 where it set new box office records and became a benchmark for musical theatre. It was the longest running musical in Broadway history for nearly ten years, and a highly regarded film adaptation was released into cinemas in 1971 starring the incomparable Topol in the central of Tevye the milkman who is in search of husbands for his daughters.

 

The film version has become part of Christmas television schedules and people are now familiar with the lilting music and energetic dancing, and some of the songs have even been released in new versions by modern artists. The musical remains an integral part of the cultural zeitgeist around the world.

 

The story that is told in Fiddler on the Roof continues to speak to a modern audience. A remote Ukrainian village at the turn of the last century faces more than poverty and daily hardship as divisive political voices, and a government that targets ethnic minorities, ominously plots to move the villagers out of their homes and drive them off their ancestral land.

 

Despite the darkness, heartbreak and the gritty undertones that resonate with the troubled state of our world where intolerance is rife, and where refugees flee persecution and war zones, this show shines a positive light of hope and love in desperate times. This is the kind of show that makes you look at your neighbours, and fellow travellers on the road of life, with more compassion and humanity.

 

The musical focuses on the life of a hardworking milkman named Tevye and his constant clashes with family members and local villagers which results in lots of amusement and witty exchanges. The show bravely explores the seismic impact of the changing world upon long standing cultural traditions that are in a state of flux as the new generation refuses to bow down to what is expected of them from parents and from the wider society.

 

The earthy love and joy that is shared between Tevye and his family is so life-affirming and rich that it wafts off the stage and transmits its warmth into the hearts of the audience. The message at the very core of Fiddler on the Roof is one of acceptance, a shared humanity, and a much-needed plea for understanding. The diverse range of characters in the village, some warm and caring, others sharp and aloof, reflect aspects of humanity in a world that is all too often cold and remote. The focus on togetherness and family love, despite having very little in the way of wealth or creature comforts, is always at the forefront of this heartwarming and poignant show.

 

When it comes to production values, this show has it all, it stands proudly next to the famed film and the pacing by director Jordan Fein is absolutely thrilling. The epic tale moves briskly and with excitement, and Julia Cheng’s choreography matches the pace with some pulsating dancing that is breathtaking in its beauty and intricacies. The rustic nuances of Russian folk dance that date from over 100 years ago look fresh and organic.

 

Aideen Malone’s subtle lighting compliments Tom Scutt’s evocative and authentic designs that are on a par with Norman Jewison’s Oscar-winning film. This is an absolutely ravishing show that unleashes the power of theatre to enchant the audience.

 

The huge cast does full justice to the passionate spirit of Fiddler on the Roof and special praise goes to Matthew Woodyatt who uses his warm Welsh cadences to enrich and colour the character of Tevye. Woodyatt not only sings the role with perfection but his acting and dancing are also detailed to such a degree that he makes you see Tevye through fresh eyes. His portrayal is so hearty and full of joy that there are moments where he seems to be channelling the spirit of Father Christmas. Not the commercial Santa of the modern era, but a much older version that leans towards Saint Nicholas with a mixture of the Green Man.

 

This endearing show is a special highlight that unlocks the magic of theatre to enrich the human soul and teach us about the simple things which light up the human heart with love and compassion.

 

Fiddler on the Roof is back in town and it remains one of the most heartwarming family musicals of all time.

 

Verdict: ★★★★★

 

Fiddler on the Roof is running at The Alexandra Theatre until Saturday 3rd January 2026


 
 
 

Comments


bottom of page